Court Ruling Shuts Kitchen Staff Out of Tip Pools, Prompts Some East Bay Restaurants to Consider Going Tipless

At restaurants around the country, it has long been common practice for servers to “tip out” at the end of a shift, giving a cut of their tips to the bussers and bartenders — and, often, to the back-of-house kitchen employees, such as the line cooks and dishwashers. After all, one good turn deserves another, and for a waiter whose tip is often tied to the timeliness and skill of the kitchen team, it only seems decent to spread the wealth.

See also:
The Tipping Point


[jump] But because of a recent 2–1 decision from the Ninth Circuit Court of Appeals, that kind of tip-sharing arrangement is now illegal — at least in cases when a restaurant tries to make it mandatory. The case in question (Oregon Restaurant and Lodging Association v. Perez) is of particular relevance to dining establishments in California, where some restaurateurs have taken advantage of the previous legal gray area to give their cooks and dishwashers some extra money. Here in the East Bay, at least a couple of restaurateurs said the recent court ruling might prompt them to reconsider their compensation model — to perhaps move toward an all-inclusive, tipless approach.

The backdrop for all this is a growing sense, industry-wide, that there is an untenable pay disparity between front-of-house and back-of-house employees at restaurants. For my February 18, 2015 cover story, “The Tipping Point,” which examined the effect of Oakland’s then-looming Measure FF minimum wage increase on local restaurants, restaurateurs told me it wasn’t uncommon for a server to make more than three times as much as a typical line cook, once tips were factored in. The minimum wage increase, which primarily benefited servers (who make minimum wage plus tips), only exacerbated that disparity.

At the time, a number of Oakland restaurateurs, including Sal Bednarz (Actual Cafe, Victory Burger) and Preeti Mistry (Juhu Beach Club), said the minimum wage hike would likely lead them to be even more aggressive in their tip-pooling policies, as a way to make sure that cooks and dishwashers would also reap some of the rewards of the change. In an email, Bednarz said he found the court ruling “worrisome” and that it likely pushes him “one step closer to tipless service” — though he still has deep reservations about how successful that would be at counter-service restaurants like the ones he runs. Meanwhile, Jay Porter (The Half Orange, Salsipuedes) said that while he believes the federal court ruling will eventually be overturned, he is thinking about instituting a 20-percent service charge in place of tips for the time being.

In some ways, the fears over the legal and financial ramifications of the court decision provides some measure of validation for the small handful of Oakland restaurants that did go tipless in response to the minimum wage increase. At Homestead, co-owners Fred and Liz Sassen abolished tips last March and simply raised their prices by 20 percent across the board — a move that allows them to distribute that revenue however they see fit. The upshot was that cooks and other back-of-house employees all received a sizeable raise. Servers, on the other hand, got paid significantly less, once tips were taken out of the picture.

Of course, one of the reasons the tipless movement still hasn’t taken off in the Bay Area is because it is not without its challenges — most notably, in terms of retaining experienced waitstaff. Homestead’s Liz Sassen acknowledged that the restaurant lost almost its entire front-of-house staff in the immediate aftermath of the change — an understandable development, given that a server might make $10 or $15 more an hour with tips at another restaurant nearby. And even now, she has trouble hiring the most experienced servers, who know they can make a lot of money pulling in big tips. Instead, the restaurant’s new approach is to hire less experienced workers and simply give them a lot of training up front.

But Sassen said she has no regrets: “I can look my line cooks in the eye and know that they’re getting a fair cut,” she said. Since replacing those initial departees, the restaurant has had almost zero staff turnover — a product, Sassen believes, of an improved staff culture. And, of course, the restaurant is unaffected by any current and future legal rulings related to tipping.

Many restaurateurs have talked about how difficult the minimum wage increase has made it to do business. She said she wants them to know that, with the tip-free model, “We’re not struggling that badly.”

Ultimately, though, Sassen believes that even with the court ruling, most restaurants will just continue to do what they’re doing. Indeed, at Juhu Beach Club, Mistry said that she feels comfortable continuing her tip-sharing policy because it isn’t strictly mandatory. Upon hiring, all of her employees are made to understand that the expectation and the culture of the restaurant is for servers to give some cut of their tips to the back of the house. But the servers are free to decide exactly how much on their own, and Mistry herself never touches their tip money.

Similar to Sassen, Mistry said the important thing is trying to create a sense of camaraderie and fairness among her staff — both in the front and back of the house — so that when the party of six comes in ten minutes before closing, the cooks feel like they benefit, too.

That said, Mistry believes that the tip-free model will eventually become the norm. “I look forward to being part of it,” she said.  

Legalization Nation Columnist David Downs Preps ‘Medical Marijuana Guide Book’ Release, Appearances, Online Lecture

Not a week goes by that patients don’t contact us with questions like, “My doctor recommended medical marijuana for my partner’s cancer, but that’s all he would say. What do I do? Where do we go?”

I also get questions like, “What is a vaporizer?”, or “What’s high-CBD pot?”

Americans’ thirst for the facts about accessing and using medical cannabis legally and safely has never been greater.

Well, your dedicated Legalization Nation columnist, David Downs, has collected answers to your most frequently asked questions and packaged them in book form for patients nationwide this spring.




[jump] Now available for pre-order direct from the publisher, Whitman, as well as through Amazon and Barnes & Noble — the Medical Marijuana Guide Book is a concise, professionally written, and vetted reference manual for accessing medical marijuana legally and safely in the 35 medical cannabis and CBD states. The book comes directly out of six years of reporting and writing the Legalization Nation column for the Express, where I’ve done my best to answer questions from around the country and the world.

The Medical Marijuana Guide Book is the first book to succinctly and clearly explain the specific steps to becoming a legal patient in each medical marijuana state, combined with more general information, such as how to find good dispensaries and products. It’s sort of TripAdvisor.com — but for US medical pot.

The Guide Book details the typical indications for medical cannabis as well as the most common strains and other modalities that patients are using for those indications. The manuscript was reviewed by leading doctors, researchers, and industry experts, and now we’re ready to roll it out.

“David Downs does a great job of summarizing the most useful things to know about medical cannabis, both for the cannabis-experienced, as well as cannabis-naive patient,” states Berkeley clinician, Dr. Frank H. Lucido.

“The Medical Marijuana Guide Book is a concise, well documented, handbook for people who need practical advice on negotiating access to medical cannabis. It’s especially useful because it covers the gamut from state laws to doctors to caregivers and the types of cannabis preparations available in dispensaries, according to various state laws,” states Dale Deutsch, PhD.

This is my fourth book project in four years, including: our best-selling cannabis extract and vaporizer book Beyond Buds (2014) which has sold 20,000 copies and counting; the Guide Book; and a return to crop science with July title Marijuana Harvest, by Ed Rosenthal and David Downs. I also ghost-edited a 2015 bestseller on pot policy.


This Sunday, I’ll be making my first appearance related to the book, on hit YouTube Vlogger Coral Reefer’s show Stony Sunday — broadcast live from San Francisco, Sunday at 12 p.m.

A Bay Area book release party is in the works, and I’ll also be guest bud-tending at leading dispensaries and online providers, as well as releasing a series of opinion articles stemming from the book’s research.

We’ll also be updating Medical Marijuana Guide Book information for book owners and online subscribers at www.USMMJ.org throughout 2016. 

The Medical Marijuana Guide Book is only possible thanks to Legalization Nation’s phenomenal readers: the patients, activists, allies, clinicians, researchers, and industry operators who’ve been our sources since 2010, when federal raids were commonplace and prison a reality. So I’d like to say thanks for the opportunity to serve this community, and I hope the book helps.

###

On a related note, aspiring journalists, bloggers, and people that want to be more media-savvy can also go behind the scenes of “Legalization Nation” through a UC Berkeley online extension course featuring a guest lecture from me this spring.

UC Berkeley Extensions’ Journalism Workshop JOURN X473 is a “practical, task-based introduction to news writing and reporting” where viewers can “learn standards embraced by the best media practitioners, old and new. Study story selection and planning. Learn how to develop sources; interview and research; write fast, vivid prose; and revise and edit. You also get an introduction to multimedia and blogging.”

Course director Katya Cengel and I walk students through the cannabis beat, general skills for beat reporting, as well as the transition from beats to books.

Got questions? Keep them coming at da*********@***il.com, or in the comments below.

Tuesday Must Reads: Mudslide Caused East Bay Train Derailment; Big Weekend Storms Help Refill Reservoirs

Stories you shouldn’t miss:

1. A mudslide derailed a commuter train in Niles Canyon last evening, forcing one of the train cars into Alameda Creek and sending nine passengers to the hospital — although none of the injuries were considered life-threatening, the Chron reports. The mudslide likely was caused by the weekend’s big storms. The accident prompted the closure of the Altamont Corridor Express line on Tuesday — the line typically carries 5,000 to 6,000 people a day.

2. The weekend’s storms also helped refill the state’s depleted reservoirs, the Mercury News$ reports. However, because of a warm, dry February, California’s 46 reservoirs are still only at 72 percent of normal for this time of year. In addition, the Sierra snowpack is still at only 82 percent of normal.

3. The number of endangered Delta smelt in Northern California has plunged to the lowest level ever recorded, Capital Public Radio reports (h/t Rough & Tumble). Biologists blame the drought, along with too many water exports to the state’s agribusiness industry, for the smelt’s collapse.


[jump] 4. Many residents of Porter Ranch who returned to their homes after Southern California Gas Company said it plugged a massive methane gas leak are still complaining of nausea, headaches, dizziness, and other illnesses, the LA Daily News$ reports.

5. And federal Judge Thelton Henderson is considering whether to remove PG&E’s attorneys from the criminal trial involving the utility, because there is evidence that the lawyers may have helped obstruct justice in the case, the Chron reports.

Monday Night Cap

Beloved promoter, educator, and host of ADP.FM’s Streets is Talking Radio, Leon “DNas” Sykes has long been a force in Oakland’s rap scene. Until last January, he hosted the monthly party Fresh Steps at Luka’s Taproom, which has served as an incubator of local hip-hop talent for seven years. Now he’s back with Monday Night Cap, a weekly open mic and local hip-hop showcase at Somar in downtown Oakland. Though it’s only been going on for about a month, it’s already attracted the attention of prominent East Bay artists, such as Young Gully, who recently released the final installment of his excellent, three-part album Bermuda, and Beejus, whose new BeeSmoove2 delves into potent, introspective lyricism. In addition to the open mic portion of the event, each week’s edition features different guest performers and a DJ set by Lady Ryan.

Correction: A previous version of this article incorrectly stated that Fresh Steps was discontinued last January.

L’Allegro, il Penseroso ed il Moderato

On March 13, the internationally famous Mark Morris Dance Group will once again bring one of its namesake choreographer’s most influential pieces, L’Allegro, il Penseroso ed il Moderato, to Cal Performances at Zellerbach Hall (UC Berkeley). Back by popular demand, this will be the fifth time that Cal Performances presents the production since its Bay Area debut in 1988. The widely acclaimed choreographic ode to darkness and light involves 27 dancers and is set to an oratorio by George Frideric Handel, which will be performed by the Philharmonia Baroque Orchestra and Chorus. Ahead of the performance, the Mark Morris Dance Group will lead an all-ages dance class featuring techniques from the piece on Saturday, March 12, from 11 a.m. to noon in the Bancroft Studio on the UC Berkeley campus. On the same day, from 2–5 p.m., Morris, Philharmonia Baroque Orchestra conductor Nicholas McGegan, and Juilliard School provost Ara Guzelimian will discuss Handel’s music at Zellerbach Hall. Both events are free and open to the public.

Hybrid Series #1

On March 12, Pro Arts (150 Frank Ogawa Plaza, Oakland) is inaugurating a new set of programs called Hybrid Series, which aims to dissolve the boundaries between artistic disciplines. The first event will feature SL Morse, a music project led by local percussionist and artist Sarah Lockhart, translating Albert Camus’s The Myth of Sisyphus into Morse Code. Artist Adia Millett will join in to discuss Re-Connect, her solo show of quilts, currently on display in the gallery, in terms of feminist aesthetics and abstraction. Plus, Bay Area poet Sara Mumolo will punctuate the program with readings of her work. Mumolo is the author of Mortar (Omnidawn, 2013), a book of poetry that, in part, investigates the intersection of art history and gendered body representation through a lyrical deconstruction of nude paintings.

XXYYXX

While ambient production dominates the new wave of R&B and rap, producer XXYYXX pioneered the current style of atmospheric, trip-hop-oriented beats when he was a teenager making electronic instrumentals in his Orlando, Florida, bedroom. Now based in LA, the twenty-year-old has risen to considerable acclaim in recent years. He produced rising singer SZA’s “Child’s Play” on her debut album, Z — arguably one of the Rihanna collaborator’s best singles — and his recent remix of Tinashe’s “Let Me Love You” is currently making the rounds on SoundCloud. But narco’d-out instrumentals are where he truly shines. Take “About You” from his self-titled 2012 album: underwater synths, bass notes that fall like droplets, and warbled vocal samples create a fascinating mélange of malleable sounds over rigid trap high hats. Catch XXYYXX at The Independent on Saturday, March 12.

Tragic Queendom

Forget Lady Gaga and Katy Perry. Let’s recall that Gwen Stefani has be serving up iconic looks since her glory days as No Doubt’s front woman. Think back to the late Nineties: a strappy bikini top over a mesh crop top with baggy, low wasted pants and a studded belt. (If that’s not fierce, it’s at least memorable.) Or her extravagant (and arguably problematic) Harajuku girl period circa 2004. That one involved a lot of tiny hats, tutus, and geisha-inspired lipstick. On March 13, The Night Light (311 Broadway, Oakland) will be hosting “Tragic Queendom,” a drag show dedicated to Stefani’s many looks as a lead up to the release of her new album, This is What Truth Feels Like, on March 18. Hosted by Beatrix LaHaine, the night will feature a whopping fifteen performers, including Hollow Eve, Cunty Whorenay, Ariel Androgyny, and Punky Pebbles.

Day Wave

Originally from Los Angeles, multi-instrumentalist Day Wave (aka Jackson Phillips) has called Oakland home for the past two years. While in LA, he was known as part of the electronic duo Carousel. Upon moving to Oakland, he developed his solo pop project, Day Wave, which combines soft, dreamy instrumentation with hooky song structures. While Day Wave’s new EP, Hard to Read, contains several certified earworms, he mostly uses his catchy songs as a vehicle for parsing through grief and longing. Sunny, lo-fi synth and guitar riffs and surf rock harmonies contrast with Day Wave’s often poetic, melancholic lyrics. Currently, the singer-songwriter is promoting Hard to Read, which he recently released on vinyl as a double EP that also includes his 2015 project, Headcase. Catch him playing a free show and signing copies of the record at Amoeba in San Francisco on Sunday, March 13.

Tea and Empathy

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With such films as The World (2004) and 24 City (2008), Beijing-based director Jia Zhangke has shown Western art-film audiences what often passes for a cold slice of contemporary Chinese reality. Let others dwell on dynastic sword epics and imitation-Hollywood fantasies — Jia’s idea of a sightseeing trip would probably take in a deserted factory, the submerged towns beneath the waters of the Yangtze River’s Three Gorges Dam (as in 2006’s Still Life), or the everyday provincial grotesqueries on display in A Touch of Sin, from 2013.

His favorite subject is the country’s often jarring transition to the brave new China, where money talks more loudly than ever. Jia’s latest, the interestingly titled Mountains May Depart, takes a different tack than most of the films in his career-long portfolio of his homeland and its discontents. In it, Jia studies his characters subjectively, in a sullen, contemplative haze.

The narrative is broken into three “time capsules.” When we first meet the peppy, pony-tailed Tao (played by Zhao Tao, the director’s wife and frequent leading lady) whooping it up at a community festival in her hometown of Fenyang, Shanxi, she’s partying like it’s 1999, which it is. Given the boyfriend choice between a humble coal miner named Liangzi (Liang Jin Dong) and up-and-coming businessman Zhang (Zhang Yi), Tao opts for the gold ring. Later, as 2014 and then 2025 come into view, she has opportunity to mull over her decision regretfully.

The film unfolds in the familiar rhythms of a soap opera — but one that equips its unhappy-family story with glimpses of migrant labor and the Chinese brain drain (in this case, from Shanghai to Western Australia), as well as a beloved son who no longer relates to his birthplace. Everything is then wrapped in sentimental piano music. The filmmaker’s small ironic touches remind us of his earlier, angrier scenarios, but it’s the female perspective that holds the key. Actress Zhao plays the tough part of the unlucky former belle of the ball with a loser’s dignity. We can clearly read the emotions on her realistically aged face. Tao and her hard-charging capitalist husband are a pair of spoiled brats familiar to anyone who’s ever looked at a screwball comedy from 1930s Hollywood. By comparison Mia, the teacher of Tao’s son in Australia, sympathetically portrayed by veteran Taiwanese actress Sylvia Chang (Eat Drink Man Woman), points to the multi-cultural future. She’s a worldly mother figure minus the guilt.

The anguished empathy of these two women at the crux of China’s 21st-century dilemma throws us off at first. They seem a bit too touchy-feely, until we step back and drink in their body language. If Zhao and Chang’s roles, as written by writer-director Jia, had been played by, say, Charlotte Rampling and Kristin Scott Thomas and set in suburban London, art-house patrons would be fighting to get into the theater. That is not the case, but it’s no exaggeration to say that the deceptively reflective Mountains May Depart (couldn’t they have decided on a less awkward title?) is one of the best written character studies of the new year.

Court Ruling Shuts Kitchen Staff Out of Tip Pools, Prompts Some East Bay Restaurants to Consider Going Tipless

Homestead co-owner Liz Sassen (center) says going tipless frees her from having to worry about legal rulings related to tipping. Credits: Bert Johnson/File photo At restaurants around the country, it has long been common practice for servers to “tip out” at the end of a shift, giving a cut of their tips to the bussers and bartenders — and, often, to...

Legalization Nation Columnist David Downs Preps ‘Medical Marijuana Guide Book’ Release, Appearances, Online Lecture

Not a week goes by that patients don’t contact us with questions like, “My doctor recommended medical marijuana for my partner’s cancer, but that’s all he would say. What do I do? Where do we go?” I also get questions like, "What is a vaporizer?", or "What's high-CBD pot?" Americans’ thirst for the facts about accessing...

Tuesday Must Reads: Mudslide Caused East Bay Train Derailment; Big Weekend Storms Help Refill Reservoirs

Stories you shouldn’t miss: 1. A mudslide derailed a commuter train in Niles Canyon last evening, forcing one of the train cars into Alameda Creek and sending nine passengers to the hospital — although none of the injuries were considered life-threatening, the Chron reports. The mudslide likely was caused by the weekend’s big storms. The accident prompted the closure of the...

Monday Night Cap

Beloved promoter, educator, and host of ADP.FM’s Streets is Talking Radio, Leon “DNas” Sykes has long been a force in Oakland’s rap scene. Until last January, he hosted the monthly party Fresh Steps at Luka’s Taproom, which has served as an incubator of local hip-hop talent for seven years. Now he’s back with Monday Night Cap, a weekly open...

L’Allegro, il Penseroso ed il Moderato

On March 13, the internationally famous Mark Morris Dance Group will once again bring one of its namesake choreographer’s most influential pieces, L’Allegro, il Penseroso ed il Moderato, to Cal Performances at Zellerbach Hall (UC Berkeley). Back by popular demand, this will be the fifth time that Cal Performances presents the production since its Bay Area debut in 1988....

Hybrid Series #1

On March 12, Pro Arts (150 Frank Ogawa Plaza, Oakland) is inaugurating a new set of programs called Hybrid Series, which aims to dissolve the boundaries between artistic disciplines. The first event will feature SL Morse, a music project led by local percussionist and artist Sarah Lockhart, translating Albert Camus’s The Myth of Sisyphus into Morse Code. Artist Adia...

XXYYXX

While ambient production dominates the new wave of R&B and rap, producer XXYYXX pioneered the current style of atmospheric, trip-hop-oriented beats when he was a teenager making electronic instrumentals in his Orlando, Florida, bedroom. Now based in LA, the twenty-year-old has risen to considerable acclaim in recent years. He produced rising singer SZA’s “Child’s Play” on her debut album,...

Tragic Queendom

Forget Lady Gaga and Katy Perry. Let’s recall that Gwen Stefani has be serving up iconic looks since her glory days as No Doubt’s front woman. Think back to the late Nineties: a strappy bikini top over a mesh crop top with baggy, low wasted pants and a studded belt. (If that’s not fierce, it’s at least memorable.) Or...

Day Wave

Originally from Los Angeles, multi-instrumentalist Day Wave (aka Jackson Phillips) has called Oakland home for the past two years. While in LA, he was known as part of the electronic duo Carousel. Upon moving to Oakland, he developed his solo pop project, Day Wave, which combines soft, dreamy instrumentation with hooky song structures. While Day Wave’s new EP, Hard...

Tea and Empathy

With such films as The World (2004) and 24 City (2008), Beijing-based director Jia Zhangke has shown Western art-film audiences what often passes for a cold slice of contemporary Chinese reality. Let others dwell on dynastic sword epics and imitation-Hollywood fantasies — Jia’s idea of a sightseeing trip would probably take in a deserted factory, the submerged towns beneath...
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