Quick! Name a brilliant mathematician at one of the country’s leading academic institutions who, despite obvious emotional problems that keep him on the edge of a nervous breakdown, is enlisted by his government to decipher seemingly impenetrable military communications that the enemy sends to its operatives around the world. If you guessed A Beautiful Mind‘s John Nash, you guessed wrong, but viewers can hardly fail to notice the similarities tying the Princeton genius to Tom Jericho, the hero of director Michael Apted’s new World War II-era romantic thriller, Enigma.
Nash, of course, was a real person whose film persona only imagined that he was involved in top-secret government work, while Jericho is a fictional character set against the very real story of British cryptographers struggling against enormous odds to develop a machine that could break the Nazis’ infamous Enigma code. The ultimate success of the British in this undertaking constitutes one of the most exciting noncombat exploits of the war.
Watching a group of mathematicians thinking while linguists scribble on bits of paper and engineers clamp widgets on rotors isn’t considered the stuff of high drama, however. So, rather than present a straightforward docudrama of the real Bletchley Park (a compound northwest of London where British scientists and intelligence services were sequestered during the war), the filmmakers turned to Robert Harris’ 1995 novel Enigma, which spices up the action – or inaction – with a love story.
As the film opens, Jericho, who was instrumental in cracking the first Enigma code, is returning to Station X (Bletchley’s code name) from Cambridge, where he went to recover from a devastating love affair with a colleague, Claire Romilly (Saffron Burrows). He’s been called back because the Germans – possibly tipped off by a traitor within Bletchley – have changed the code, and the Allies must break the new one before a U.S. convoy is set upon by German U-boats.
Upon his return, Jericho learns that Claire has disappeared, and he begins to suspect that she may be the traitor. With Claire’s frumpy but game roommate Hester (Kate Winslet, who makes any character interesting to watch), Tom sets out to unravel the mystery of Claire’s disappearance. Needless to say, the film’s title refers to both riddles.
Making things more difficult for Jericho is a slick British secret service agent with an insinuating manner and a perpetual sneer (Jeremy Northam, marvelous as always) who keeps sniffing around, half-convinced that Tom may be the quisling. Scottish actor Dougray Scott, unrecognizable from his earlier stints in Mission: Impossible 2 and Ever After, scores a bull’s-eye as Jericho, conveying a convincing intellectual acumen as well as a sense of deep emotional vulnerability.
The actual events that took place at Station X in the 1940s would seem to be sufficiently fascinating not to require a silly old romance but, without the romance, the filmmakers obviously were concerned that no studio would be willing to make the film, and/or that even if some studio did, no one would pay to see such a cerebral and technically demanding movie. Well, the movie got made, but the technical explanations are impossibly difficult for a lay person to follow (screenwriter Tom Stoppard probably understood it all and forgot he had to write for the rest of us). Certainly a terrific sense of urgency underlies the story and Tom’s desperation over Claire is palpable, but that may not be enough for viewers who like to understand how the riddle is unraveling.