Social Eyes: Week of March 5-11

THURSDAY, MARCH 5

PUNK

THE LAST GANG

Formed in Los Angeles, the Last Gang has existed in some form since the 2000s, with Brenna Red as its constant center of gravity. They play punk-rock with streetwise clarity, melodic and high-velocity. Red’s gravel-edged voice can pivot from defiant snarl to sultry clarity as the band draws from classic SoCal punk, power-pop, reggae and ska. Songs about addiction, fascism and fractured relationships arrive wrapped in bright harmonies and catchy choruses. It’s political, hook-driven and unafraid to be both furious and fun. SONYA BENNETT-BRANDT 

INFO: Thu, 9pm, Thee Stork Club, 2330 Telegraph Ave., Oakland. $16. 510.859.8709.

THURSDAY, MARCH 5

JAZZ

THE MYULA

Nupoora Niphadkar leads this intriguing ensemble that swirls Indian music performed on traditional instruments with contemporary Western music genres. Building vocal worlds with harmonic resonances and rap, the sonic landscape gains drama with a vast array of instrumentation: sitar, veena, electric guitars, keyboards, synths, drums, percussion. The magic is that it strikes like music heard before, then swings into completely new territory. Sometimes the pendulum hits and returns to familiar land, other times it doesn’t. But either way, Myula deposits audiences into shared spaces and creates community. LOU FANCHER

INFO: Thu, 7:30pm, Wyldflowr Arts, 809 37th St., Oakland. $20. 510.842.5055.

FRIDAY, MARCH 6

ALT-COUNTRY

THE WHITE BUFFALO

Ever since Jake Smith—a.k.a. the White Buffalo—released his debut EP in 2002, he’s been a favorite for fans of country, Americana and rock. The White Buffalo has had success on the Billboard charts, along with a slew of songs on shows such as Sons of Anarchy, Californiacation and The Punisher. However, don’t try to confine him in any box. While his bread and butter is based in the genres above, Smith pushes himself past all boundaries. Just give his 2022 album, Year of the Dark Horse, a spin. Sure, it has elements of country and Americana, but the songs are based in blues, rock and even indie-pop. With such a rare mixture of sounds, he truly lives up to his stage name. MAT WEIR

INFO: Fri, 8pm, Cornerstone, 2367 Shattuck Ave., Berkeley. $37. 510.214.8600.

FRIDAY, MARCH 6

AMERICANA

ORDINARY ELEPHANT

Americana folksingers Crystal and Pete Damore have made a name for themselves as Ordinary Elephant with their simple, honest approach to topics that are often not simple. Their newest, self-titled album features banjo, guitar and octave mandolin, along with their signature harmonies. “Once Upon a Time” is a fan favorite from the collection, in which Crystal sings, “Tell me that story again, darling/Wasn’t it true once upon a time?”, conjuring memories of some of the sweeter, more wistful tales of the late John Prine. Ordinary Elephant’s music, like his, reflects the day-to-day experiences of ordinary people in a much-less-than-ordinary way. JANIS HASHE

INFO: Fri, 8pm, The Back Room, 1984 Bonita Ave., Berkeley. $25. 510.654.3808.

FRIDAY, MARCH 6

JAZZ

JULIA KEEFE INDIGENOUS BIG BAND

Jazz vocalist Julia Keefe, a member of the Nez Perce nation, is at the center of a wave of ambitious young Indigenous jazz players who are creating new music and uncovering a vibrant, little-known history of Native American jazz artistry. Co-led by Diné trumpeter Delbert Anderson, the 16-piece Julia Keefe Indigenous Big Band is the central vehicle in this budding movement, gathering players from across the U.S. and Canada. She’s championed the seminal jazz vocalist, Mildred Bailey. The group also celebrates the legacy of Kaw and Muscogee saxophonist Jim Pepper. The band’s lineup features Alaska-reared Lingít drummer Ed Littlefield, and Arkansas-raised Apache and Kiowa trombonist Quinn Carson. ANDREW GILBERT

INFO: Fri,  8pm, Cal Performances at Zellerbach Playhouse, 101 Zellerbach Hall, #4800, Berkeley. $79-$84. 510.642.9988.

SATURDAY, MARCH 7

FILM

CHARLIE CHAPLIN’S ‘THE KID’

No one has ever equaled Charlie Chaplin’s gift for expressing comedy interlaced with deep sadness, all communicated without words. One of the greatest, 1921’s The Kid, is part of Cal Performances’ ongoing series of film performances accompanied by live music. The screening of The Kid will feature guitarist Marc Ribot, played with Tom Waits, and whose own work encompasses influences from free jazz to “the godfather of salsa,” Cuban bandleader Arsenio Rodríguez. The story of a lost-and-found little boy who encounters Chaplin’s The Tramp, The Kid is both slapstick funny and enduringly heartbreaking. – JH

INFO: Sat, 8pm, Cal Performances at Zellerbach Playhouse, 2413 Bancroft Way, Berkeley. $74-$87. 510.642.9988.

SATURDAY, MARCH 7

THEATER

‘PASS THE NAILS & SHAME THE DEVIL’

Bay Area performance artist Pearl Louise could sell this show with the provocative title alone. Doesn’t everyone know someone who doesn’t deserve the nails life hammers into them? In this one-woman show, Louise tells a true story of a family from the Deep South building a home in Oakland. The neighborhood is inhabited primarily by Black folks, from panhandlers to formerly incarcerated people to papas and mamas just trying to keep themselves and their kids out of harm’s way. Louise plays the small family’s don’t-mess-with-me mother, overseeing their survival with muscle, moxie and not a lot of money. Goes until April 18. – LF

INFO: Sat, 5pm, The Marsh, 2120 Allston Way, Berkeley. $25-100. 415.282.3055.

SATURDAY, MARCH 7

JAZZ

THE BAD PLUS

After a quarter-century of volatile, playful and often enthralling performances, the Bad Plus announced that this is their final run. For some fans, the group essentially ended when founding pianist Ethan Iverson left the trio at the end of 2017. Drummer Dave King and bassist Reid Anderson recruited Philadelphia piano star Orrin Evans. King and Anderson introduced a whole different Bad Plus concept when Evans left by joining forces with guitarist Ben Monder and saxophonist Chris Speed in 2021, and now the farewell run features a tough new quartet with recently minted MacArthur Fellow Craig Taborn on piano and saxophone great Chris Potter. Goes until March 8. – AG

INFO: Sat, 7:30 & 9:30pm, Yoshi’s, 510 Embarcadero West, Oakland. $45-$89. 510.238.9200.

WEDNESDAY, MARCH 11

AMBIENT

EAST FOREST

Contemplative. Introspective. Ethereal. Those are just a few of the words to describe the sometimes haunting, sometimes transcending, but always beautiful music of East Forest. Named the “sleeper hit and best hidden gem” at the 2014 SXSW festival by Altoriot.com, East Forest is the brainchild of Portland, Oregon, composer Trevor Oswalt. Over the years he has created a number of consciousness-enlightening pieces, from the soundtrack to Deepak Chopra’s video game, Leela, to collaborating with the late Ram Dass, along with writing music to die to and music to take magic mushrooms to. Needless to say, East Forest is on another plane of creative existence and invites listeners to come along on his journey. – MW

INFO: Wed, 8pm, The Freight, 2020 Addison St., Berkeley. $44-$49. 510.644.2020.

WEDNESDAY, MARCH 11

POP

DODIE

Born in North London, Dodie first found an audience with softly lit ukulele songs uploaded to YouTube from her bedroom and has since grown into one of modern British-pop’s most quietly incisive writers. Her music pairs diaristic candor with delicate, orchestral arrangements. On her sophomore studio album, October 2025’s Not For Lack Of Trying, she circles themes of anxiety, comparison and desire with dissonant harmonies that deliberately refuse easy resolution. The album showcases her characteristic, unstripped honesty and intimacy; the songs are specific and unguarded, attentive to small humiliations and private joys. – SBB 

INFO: Wed, 8pm, Bimbo’s 365 Club, 1025 Columbus Ave., San Francisco. $56-162. 415.474.0365.

Anahuac rises on Solano Avenue

This year’s State of the Union address suggested, among many things, that the American Dream belongs exclusively to technocrats and their cronies. Jose Rodriguez has another story to tell. For his family, the American Dream is alive and well on Solano Avenue.

In the late 2000s his mother, Maricela Pedroza, moved to the Bay Area to start a new life as a chef. She serendipitously arrived in town when Juan Romo was about to open La Mission on University Avenue. After a stint there, Pedroza went on to serve as general manager at Talavera Cocina Mexicana. Working as a single mom, she bought the restaurant outright after a decade, and just before the pandemic.

Rodriguez told me, “She has her own house now, the whole American Dream, and it’s just crazy from where she came from.” Pedroza is the oldest of nine children. “When her parents went to work, she would always cook for everybody at home in Mexico,” he said. “Cooking has always been her passion, and it’s just super nice to see where she’s at now.”

At the end of January, Pedroza and Rodriguez opened Anahuac, their second restaurant on Solano. Rodriguez and his sister, Esmeralda, manage the front of house together while their mom oversees both kitchens. Anahuac is located in Fonda’s old address, a restaurant that was once part of the Krikorians’ restaurant group. A decade ago it seemed as if their businesses would always be fixed in place, like Chez Panisse and The Smokehouse. But Jimmy Bean’s—home to my favorite silver dollar pancakes—Paisan, Sea Salt, T-Rex and Lalime’s have all shut their doors.

At Talavera, Rodriguez noticed that on special occasions such as Mother’s Day, the taqueria didn’t get a lot of traffic. “But I understand people want to take their loved ones to a more upscale place,” he said. The more formal dining room was the main idea behind Anahuac, with dishes made to be eaten in-house. During the process of looking for a new space, a Talavera customer found out that Fonda’s was available for a long-term lease.

“Me and my mom would go eat at Fonda all the time and we would say, ‘One day we’ll have a place like this,’” Rodriguez recalled. Because the Talavera taqueria is two blocks away, they came up with an entirely new menu for Anahuac—with one overlap. “The only thing we kept from Talavera was the mole poblano,” Rodriguez said.

They also hired chef Jorge Reyes from Guerrero, Mexico, who regularly makes his own specials. Recently Reyes made octopus tacos on handmade yellow corn tortillas that Rodriguez’s aunt makes. “He used calamari ink so it was a black tortilla, coleslaw, octopus marinated with pastor adobo—and then he put fried onions on top,” Rodriguez said.

A bowl of red or green pozole ($24), green with chicken for my order, arrived in a very large bowl with shredded cabbage, hominy, chopped onions and lime. It proved to be an extremely comforting and satisfying dish. In the future, Rodriguez said, they’re planning to offer the option of two small bowls per order so customers can try both versions at the same time. Our table also shared a delicious plate of chile verde pork slow-cooked in a tomatillo sauce ($20) and some enchiladas covered in a bright-red sauce. We finished everything in sight, including stacks of crisp tortilla chips and fresh salsa.

After an initial round of refurbishments, Anahuac was ready to open last September. But the health department was aware of significant structural damage in the space, so Rodriguez and his family spent the last few months bringing everything up to code before the 2026 opening. 

Anahuac’s table service includes bar seating, music and a TV screen hovering in the background. One of the murals inside features an open-mouthed, snake-like creature with leafy, feathery scales in bright shades of pink, green, orange and blue. Rodriguez hired San Enrique, an artist from Oakland, who worked on the signage and installed the murals.

Anahuac, 1501 Solano Ave., Berkeley. Open 4-10pm every day; Sundays till 9pm. IG: @official.anahuac

Free Will Astrology: Week of March 4

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ARIES (March 21-April 19): Many ancient cultures had myths that explained solar eclipses as celestial creatures eating the sun. In China, the devourer was a dragon. A frog did it in Vietnam, wolves in Norse lore and bears in several Indigenous American legends. In some places, people made loud noises during the blackout, banging drums and pots, to drive away the attacker and bring back the sun. I suspect you are now in the midst of a metaphorical eclipse of your own, Aries. But don’t worry! Just as was true centuries ago, your sun won’t actually be gobbled up. Instead, here’s the likely scenario: You will rouse an appetite for transformation that will consume outdated ideas and situations. Whatever disintegrates will become fuel for new stories. You will convert old pain and decay into vital energy. Your luminous vigor will return even stronger.

TAURUS (April 20-May 20): Maybe you have been enjoying my advice for years but still haven’t become a billionaire, grown into a potent influencer or landed the perfect job. Does that mean I’ve failed you? Should you swap me out for a more results-oriented oracle? If rewards like those are the dreams you treasure, then yes, it may be time to search for a new guide. But if what you want most is simply to cultivate the steady gratification of feeling real and whole and authentic, then stick with me. PS: The coming days are likely to offer you abundant opportunities to feel real and whole and authentic. Take advantage!

GEMINI (May 21-June 20): In 1557, a Welsh mathematician invented the equals sign (=) to avoid repeatedly writing the words “is equal to.” Over the next centuries, this helped make algebra more convenient and efficient. The moral of the story: Some breakthroughs come not from making novel discoveries but from finding better ways to render and use what’s already known. I’m pleased to say that you Geminis are primed to devise your own equivalents of the equals sign. What strengths might you express with greater crispness and efficiency? What familiar complications could you make easier? See if you can find shortcuts that aid productivity without sacrificing precision.

CANCER (June 21-July 22): One benefit of being an astrologer is that when I need a break from being intensely myself, I can take a sabbatical. My familiarity with the zodiac frees me to escape the limits of my personal horoscope and play at being other signs. I always return from my getaway with a renewed appreciation for the unique riddle that is my identity. I think now is an excellent time for Cancerians like you and me to enjoy such a vacation. We can have maximum fun and attract inspiring educational experiences by experimenting. I plan to be like a Sagittarius and may also experiment with embodying Aries qualities.

LEO (July 23-Aug. 22): In Scandinavian folklore, there’s a phenomenon called utiseta. It involves sitting out at night in a charged place in nature, like a crossroads or border. The goal is to make oneself patiently available for visions, wisdom or contact with spirits and ancestors. I suspect you could benefit from the equivalent of a utiseta right now, Leo. Do you dare to refrain from forcing solutions through sheer will? Are you brave enough to let answers wander into your midst instead of hunting them down? I believe your strength is your willingness to be still and wait in a threshold.

VIRGO (Aug. 23-Sept. 22): You are a devotee of the sacred particular. While others traffic in vague abstractions, you understand that vitality thrives in the details. Your attention to nuance and precision is not fussiness but a form of love. I get excited to see you honor life by noticing all of its specific textures and rhythms! Now, more than ever, the world needs this superpower of yours. I hope you will express it even stronger in the coming months. May you exult in the knowledge that your refusal to treat the world carelessly or sloppily isn’t about perfectionism but about respect. 

LIBRA (Sept. 23-Oct. 22): Architect Antoni Gaudí spent over 40 years designing Barcelona’s Sagrada Família cathedral. He knew he wouldn’t live to see it finished. It’s still under construction today, long after his death. When he said, “My client is not in a hurry,” he meant that his client was God. I invite you to borrow this perspective, Libra. See how much fun you can have by releasing yourself from the tyranny of urgency. Grant yourself permission to concentrate on a process that might take a long time to unfold. What a generous and ultimately productive luxury it will be for you to align yourself with deep rhythms and relaxing visions! I believe your good work will require resoluteness that transcends conventional timelines.

SCORPIO (Oct. 23-Nov. 21): The ancient Chinese philosophical text known as the Tao Te Ching teaches that “the usefulness of a cup is in its emptiness.” A vessel full of itself can receive nothing. Is it possible that you are currently so crammed with opinions, strategies and righteous certainty that you’ve lost some of your capacity to receive? I suspect there are wonders and marvels trying to reach you, Scorpio: insights, inquiries and invitations. But they can’t get in if you’re full. Your assignment: Temporarily empty yourself. Create space by releasing cherished positions, a defensive stance or stories about how things must be.

SAGITTARIUS (Nov. 22-Dec. 21): The Yoruba concept of ashe refers to the power to make things happen. It’s the life force that flows through all things, and can be accumulated, directed and shared. Right now, your ashe is strong but a bit scattered, Sagittarius. You have power, but it’s diffused across too many commitments and half-pursued desires. So your assignment is to consolidate. Choose two things that matter most, and fully pour your ashe into them. As you concentrate your vitality, you’ll get more done and become a conduit for blessings larger than yourself.

CAPRICORN (Dec. 22-Jan. 19): What’s holding you back? What are you waiting for? A nudge from destiny? A breaking point when you’ll be compelled to act? A hidden clue that may or may not reveal itself? It’s my duty to tell you this: All that lingering and dallying, all that wishing and hoping, is wasted energy. As long as you’re sitting still, pining for a cosmic deliverance to handle the hard parts, the sweet intervention will keep its distance. The instant you claim the authority to act, you’ll see it clearly: The path forward that doesn’t need a perfect sign, a final push or fate’s permission slip.

AQUARIUS (Jan. 20-Feb. 18): If you’re anything like me, you wince as you recall the lazy choices and careless passivity that speckle your past. You may wonder what you were thinking when you treated yourself so cavalierly, pushed away a steadfast ally or let a dazzling invitation slip by. At times I feel as if my wrong turns carry more weight in my fate than the bright, grace-filled moments. Here’s good news for you, though. March is Amnesty Month for all Aquarians willing to own up to and graduate from their missteps. As you work diligently to unwind the unhelpful patterns that led you off course, life will release you from the heavy drag of those old failures and their leftover momentum.

PISCES (Feb. 19-March 20): In systems theory, “critical points” are moments when long periods of small changes gradually accumulate, and then suddenly erupt into a big shift. Nothing appears to happen for a while, and then everything happens at once. Ice becomes water, for instance. I suspect you’re nearing such a pivot, Pisces. You’ve been gathering strength, clarity and nerve in subtle ways. Soon you will be visited by what we might call a graceful, manageable explosion. The slow, persistent changes you’ve been overseeing will result in a major transition.

Homework: Experiment with this principle: Take only what you need. Newsletter.FreeWillAstrology.com

Emotional Oasis: Oliver Laxe’s ‘Sirat’ opens in Bay Area

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There are films that entertain, films that distract and films that politely flatter one’s intelligence. And then there are films that seem to look one in the eye and ask whether they’re prepared to lose something.

Sirat, the new feature from Galician-born director Oliver Laxe, belongs squarely in the latter category.

“A father, accompanied by his son, goes looking for his missing daughter in North Africa,” reads the logline. But that summary feels almost comically insufficient once one surrenders to its Burning Man-esque heat and dust. 

The father, played by Sergi López, and his son begin their search at a rave in the desert mountains of southern Morocco, handing out photos of the missing daughter amid endless strobes and relentless electronic dance music. From there, the film becomes something closer to a pilgrimage—equal parts road movie, fever dream and ultimately a metaphysical reckoning.

During a Zoom call, I asked Laxe about the hard choices embedded in the script, and he didn’t hesitate.

“First, we wanted to invite the spectator to a catharsis,” he told me. “We believe in cinema. We believe in theaters. We believe in the spectator’s sensitivity.”

The film’s title refers to the Arabic word sirāt, which translates simply as “path” or “way.” However, in Islamic theology it carries far more gravity, referring to the Sirat al-Mustaqim, the righteous straight path of faith. In Islamic teachings about the afterlife, it also names the Bridge of Sirat—a razor-thin span suspended over hell itself, the perilous crossing every soul must attempt on its journey from this world to whatever awaits beyond.

“There is nothing worse than being misunderstood. Our intention was to take care of spectators, but we were pushing them to the abyss,” said Laxe.

That tension—care versus confrontation—animates Sirat. The film is emotional but never manipulative. It simply presents events and allows the viewer to metabolize them. We begin by regarding the ravers as vaguely threatening, either withholding information or professing their ignorance. Slowly, suspicion gives way to recognition, then trust, then grief. It’s an alchemy few filmmakers manage without tipping into sentimentality.

Laxe credits risk. “The key is crossing these minefields as an artist with your fears, but not being castrated by them,” he said. “We feel freedom in the film.”

The rave sequences feel dangerously authentic because they were. Though set in Morocco, the large-scale party was shot in Spain so production could legally assemble roughly 1,000 real ravers as extras. “It was necessary to portray us today,” Laxe said. “Society is looking for transcendence. But in a way, we are a little bit lost too.”

That search for transcendence extends to his casting. Laxe mixed professional actors with non-actors, a choice that unnerved financiers. “We needed radical fragility,” he explained. “An actor is a specialist in building a mask. Someone who has never been in front of a camera—they are totally vulnerable. It is a beautiful energy.”

He spoke often of “the wound.” “We will have to connect more and more with fragility,” he said. “We will have to celebrate the wound, not escape and put on masks.”

Music, composed largely before shooting by electronic artist David Letellier (aka Kangding Ray), pulses through Sirat like a second bloodstream. The soundtrack and the production design are nearly one and the same. “We worked one year in advance to get the mood,” Laxe said. 

He added, “My creative process is visceral. I don’t go to the office to make films. I work with my guts—hopefully with my soul.”

Laxe’s intent is evident throughout Sirat, which arrives not as an answer but as an ordeal—one that trusts the audience enough to let them fall, and perhaps, come back altered.

‘Sirat’ is rated R. Distributed by NEON, in Spanish and French with English subtitles. 115 minutes. Now in theaters.

Oakland artist reclaims queer youth in rage, yarn and memory

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One of textile artist dani lopez’s bios tells part of her story: “After spending most of her life living in Oregon and trying to get out, she now lives in Oakland.” 

“Out,” in this case, means both “out of the repressive atmosphere of the place she was living,” and “out as a queer woman.”

Her exhibition of tapestries and other pieces at the Richmond Art Center (RAC), “3 Dykes Walk into a Bar,” addresses parts of her experience as it follows three young dykes coming of age in the 1990s and follows their journeys to the present. Three characters are represented, according to lopez’s description: a sad, Goth girl; a trickster; and what she calls “a vengeful harpy.”

“I began building this work in 2019,” lopez said in a phone interview. “I was reimagining my queer youth, about little dani if she could have come out earlier.” The characters function as chosen family and aren’t cliches, lopez said. But they are archetypes. She found Anna Bogutskaya’s 2023 book, Unlikeable Female Characters: Flawed Female Characters and the Power They Hold, influential. The book examines archetypes such as The Bitch, The Psycho, The Slut and The Trainwreck.

The “Untitled Film Stills” of photographer Cindy Sherman, created from 1977-1980, were another influence. In the black-and-white photos, Sherman posed herself in a variety of stereotypical female movie roles from the 1950s and ’60s, such as Office Girl, Bombshell, Girl on the Run and Housewife.

“They capture intimate vignettes,” lopez said.

To a degree, the  exhibition’s story is also framed around Alice in Wonderland, according to lopez. “[It’s] a starting point because it takes you down a deep, drug-induced exploration of space, time and physical surroundings,” she wrote in her own description of the work. “This story, or these stories, unfold in a non-linear way that is often the experience of queer folks growing up.” The grinning Cheshire Cat makes an appearance. In one triptych, Where did it all go wrong, lopez depicts herself with flowing locks and a white Peter Pan collar, a la Alice, but at the same time pushing up her seemingly oversized black glasses.

The tapestries share the gallery with sculptural elements, often containing found objects. RAC materials describe the overall exhibition as “[a] space where fragments of queer memory, identity, and joy come together to tell a collective story.”

Lopez teaches tapestry-weaving classes at the RAC, and spoke about mastering the ancient art. In her case, rather than using what tapestry artists call a “cartoon,” pinned beneath the work as the image is created, she uses projected photos. Multiple strands of yarn are used to create the image, in the classic warp-and-weft method. “It takes a month to four months to create a work,” she said.

Lopez enjoys seeing all the works displayed together in the RAC’s smaller South Gallery, and hopes that viewers can relate to the stories being told in it, and find it compelling.

Asked about the role of weaving art in the bigger art picture, she noted that even today there is a gender gap. “Works created by men are heralded in a way that isn’t comparable to women,” she said. “But that is changing.”

“3 Dykes Walk into a Bar” is only the beginning of what lopez sees as a long-term exploration. “If it’s a book, I’m only on Chapter Two,” she said.

On Saturday, Feb. 28, at 2pm, lopez will join Elena Gross, director of exhibitions and public programs at the GLBT Historical Society, at the RAC for a free artist’s talk about the exhibition.

‘3 Dykes Walk into a Bar,’ through March 14, Richmond Art Center, 2540 Barrett Ave., Richmond. Free. Wed-Sat, 10am to 4pm. Artist talk, Feb. 28, 2-3pm. 510.620.6772. danilopez.us, richmondartcenter.org.

Social Eyes: Week of Feb. 26-March 3

THURSDAY, FEB. 26

JAZZ

JACK WEST

Around the turn of the century Jack West was one of the most exciting acoustic guitarists on the West Coast music scene, an inventive composer and player in the band Curvature. The group’s sound evolved across several albums, but West’s playing was always wondrously distinctive, referencing jazz, folk and various international currents without ever adopting a particular idiom. And then he was gone. For nearly two decades West focused his inventiveness on the solar power industry. Now he’s gradually been dipping his toes back into performing and takes the full plunge at the Freight to celebrate the release of his first new album in 23 years, Guitars On Life. Disclosure: I wrote the album’s liner notes. ANDREW GILBERT

INFO: Thu, 8pm, The Freight, 2020 Addison St., Berkeley. $39-$44. 510.644.2020.

THURSDAY, FEB. 26

INDIE

PINBACK

Formed in San Diego in 1998, Pinback began as a part-time studio experiment between multi-instrumentalists Rob Crow and Armistead Burwell Smith IV, and became one of the West Coast’s most intricate indie-rock projects. Their songs coil and unspool with mathematical rigor: interlocking basslines, elastic melodies and abstract, achy lyrics. They’re able to stretch their structures without sacrificing pop immediacy, delivering the pleasing pairing of brainy construction and hummable hooks. Onstage, that precision turns tactile: two musicians building interlocking patterns in real time. SONYA BENNETT-BRANDT 

INFO: Thu, 8pm, The UC Theatre, 2036 University Ave., Berkeley. $40. 510.356.4000.

FRIDAY, FEB. 27

JAZZ

A TRIBUTE TO JOHN MAYER’S ‘CONTINUUM’

Featuring Oakland vocalist Amy D and Hayward singer, songwriter and guitarist Ian Santillano, this project celebrates John Mayer’s Continuum, the 2006 album that marked his transformation from pop stylist to soul-inflected artist. D has been heard most frequently in recent years working with jazz drummer/vibraphonist Dillon Vado in their band Heart Matters, while Santillano is a folk-meets-funk songwriter who cites Mayer as one of his influences. Their first collaboration tackles Continuum track by track, reimagining one of their favorite albums via D’s affinity for jazz phrasing. They’re joined by pianist Carl Nash, bassist Chris Balderas and David Aguiar on drums and vocals. – AG

INFO: Fri, 7:30pm, The Sound Room, 3022 Broadway, Oakland. $35. 510.708.9691.

FRIDAY, FEB. 27

HIP-HOP

CLIPPING

Can hip-hop be cinematic? Yes, when it’s delivered by Clipping, with Tony- and Grammy Award-winning actor, rapper and writer Daveed Diggs; Jonathan Snipes; and William Hutson forming the trio. Lay down and submit to Clipping’s sci-fi/horror-based excursions pulled from their Hugo Award-winning or nominated albums. Is it rap, cyberpunk, poetry, a novel delivered in four minutes or less, or a verbal Nascar or Grand Prix? Doesn’t matter. Clipping is all that and more. The show overflows with additional talent: thinking-person’s L.A. rapper Open Mike Eagle, with songs that manage to be both futuristic and nostalgic, and Cooling Prongs. LOU FANCHER

INFO: Fri,  8pm, The UC Theatre, 2036 University Ave., Berkeley. $30. 510.356.4000.

FRIDAY, FEB. 27

DANCE

YAA SAMAR! DANCE THEATRE

This weekend see the West Coast premier of Samar Haddad King’s new show, Gathering. Part stage work, part audience participation, Gathering follows one woman as she struggles to piece together her fragmented memories after her village is bombed on her wedding day. This powerful show tells the story through a variety of mediums such as song, dance, text and puppetry which the New York Times called “epic” and “intimate” during its 2024 debut. A Palestinian-American choreographer, King uses oranges in Gathering as an entry point to her culture to connect with the audience, as they are one of the fruits people can “divide individually without using a knife.” Goes through March 1. MAT WEIR

INFO: Fri, 8pm, Cal Performances at Zellerbach Hall, 101 Zellerbach Hall, #4800, Berkeley. $69-$74. 510.642.9988.

SATURDAY, FEB. 28

MUSEUM

‘HAPPY HEAVENLY BIRTHDAY, OSCAR’

Feb. 28 marks the final day of the Black Panther Party Museum’s tribute to the late Oscar Grant, “Happy Heavenly Birthday, Oscar,” the exhibition featured for Black History Month. It honors the lives of Black and brown people who have died by police violence. Looking at Grant’s life and legacy through voice and images, it both remembers and celebrates his life, while asking visitors, “Have you ever wondered who Oscar Grant would have been today?” He died early on New Year’s Day, 2009, at the age of 22, leaving behind a 4-year-old daughter. JANIS HASHE

INFO: Sat, 10am, Black Panther Party Museum, 1427 Broadway, Oakland. Free.

SATURDAY, FEB. 28

FOLK-PUNK

LARRY THE CABLE GUY BACKSHOTS

Folk-punk—communal, unpolished, built for basements—marries the scrappy urgency of punk to the bare-bones storytelling of folk. SoCal queer, folk-punk group Larry The Cable Guy Backshots push that template into gleeful overdrive. Their sets are fast, ragged and a little confrontational, with furious strumming and vocals that veer from sardonic sneer to full-throated howl and shouted gang vocals. The four-piece group skewers macho clichés and cultural absurdities with aplomb, then pivots into surprisingly candid confession. – SBB 

INFO: Sat, 6:30pm, 924 Gilman St., Berkeley. $10-$12. 510.524.8180.

SATURDAY, FEB. 28

NEO SOUL

CHICO DEBARGE

When it comes to soul music, Chico DeBarge knows a thing or two. Originally part of the DeBarge family musical group, Chico set out on his own in the mid-1980s when he signed a deal with the premiere label in soul music, Motown Records. In 1986 he released his first solo hit single, the electrofunk classic, “Talk to Me,” which made it to No. 21 on the U.S. charts and No. 7 on the R&B charts. Throughout the 1990s and early 2000s DeBarge continued dropping albums that climbed the charts with multiple hit singles like “Iggin’ Me,” “No Guarantee” and “Superman.” In 2017 he released a remastered version of his 2003 R&B album, Free. – MW

INFO: Sat, 7:30pm, Yoshi’s, 510 Embarcadero West, Oakland. $69-$99. 510.238.9200. 

SUNDAY, MARCH 1

THEATER

‘LOOKING FOR JUSTICE’

Amy Oppenheimer is an activist, lesbian and feminist who became a lawyer and a judge in her pursuit to establish restorative justice as the norm. She devoted her work to representing people who had suffered domestic abuse and workplace sexual harassment. Even so, Oppenheimer wonders in this show about her role in supporting a white friend in 1970 who had been raped by a boyfriend who was Black—her friend sought restorative justice, not incarceration, for the offender. Fifty-six years later, the possibility of receiving justice in an unjust legal system and a world that undervalues humanity continues to rankle and ring louder than a high-decibel alarm. Goes until March 29. – LF

INFO: Sun, 5pm, The Marsh, Berkeley Cabaret and Theater, 2120 Allston Way, Berkeley. $25-$100. 415.282.3055.

MONDAY, MARCH 2

JAZZ

GOLDINGS/BERNSTEIN/STEWART ORGAN TRIO

The 1950s and ’60s may have been the heyday of organ trios, but Hammond organist Larry Goldings, jazz guitarist Peter Bernstein and drummer Bill Stewart have been putting their own twist on the genre since the mid-’90s. Goldings’ talents cover funk, pop and electronica as well as jazz, and he is also the composer/arranger of a number of the tunes the trio plays. They’ve recorded 14 albums in the more than 30 years they’ve played together, and evolution has occurred. Goldings joked in an interview with JazzTimes, “I have trouble hearing myself on our first record. I was using a vibrato that’s only used in circus music or Fellini films.” Now, they just swing. – JH

INFO: Mon, 7:30pm, Yoshi’s, 510 Embarcadero West, Oakland. $34-59. 510.238.9200.

Betty’s legacy lives on 

Betty Reid Soskin was many things to many people during her 104 years on the planet. 

She married twice, mothered four children, owned the first Black record store in Berkeley, wrote and sang freedom fighter songs, started a career at the Rosie the Riveter Homefront Shipyard Museum in Richmond that led to her being the oldest park ranger in the United States at the age of 85, and retired at 100. She also authored a book, inspired the Betty Reid Soskin Middle School in West Contra Costa County, and was the subject of a play and a forthcoming film. 

Because Betty’s last names belonged to her former husbands, she preferred to go just by her first name: Betty. Betty lost the three most significant men in her life—her father, and her first and second husbands—in the span of months when she was in her mid-years.

“I remember being devastated and not knowing what was next for me because I had lived my entire life around these men,” Betty said. “I mourned, and then one day I jumped up and decided to start living on my terms as Betty—and I’ve been going ever since.”

Betty Reid Soskin passed away on Dec. 21, 2025, at the age of 104. Over the years during interviews in which she revealed much of her life story, she spoke with great oratorial skill. In an era when folks are attached to their cellphones, Betty moved people to forget about their phones, lean in and listen.

During a 2018 interview with President Donald Trump, at a time when racist, xenophobic and Islamophobic rhetoric was becoming normalized, Betty’s interpretation of the moment proved illuminating.

“I struggle when people say, ‘This isn’t who we are’ as a country,” she said. “Because I think this is exactly who we are. And now that it is out in the open, we can begin to address it.”

Betty’s daughter, Di’ara Reid, said she hopes people look to her mom as an example of how to live fully in the moment of the here and now and face exactly what is in front of them.

“My mom never lived in the past. She never borrowed from the future. She lived in the present moment,” Reid said. “Every decision she made was made in the here and now. That gift of being in the present is one of the most important things she gave to me and the world.”

Reid, who identifies as a transgender woman, had begun transitioning in 2019 when her mother suffered a stroke.

“My former self was afraid of taking care of an aging parent, and I was totally afraid,” Reid said. “After about two weeks, Di’ara kicked in and enjoyed the relationship with my mother.”

In earlier life, Reid hadn’t felt particularly close to her mom. Reid remembers taking for granted the stardom her mom accomplished by speaking her authentic truth with the kind of elegance and grace that had people sitting on the edges of their seats hanging on her every word.

“For the last five and half years, I had a front row seat of seeing Betty Reid Soskin, the famous icon,” Reid said, “but also getting to know my mother as Betty, and not just my mom.”

As a mixed-race individual who transitioned in her mid-60s, Reid said she was used to feeling out of place, but that ultimately she looks to her mother as an example of how to show up in the world.

“I grew up being too dark to be in some spaces and too light to be in Black spaces, so I was always on the outside looking in,” Reid recalled. “And then when I began identifying as a Black woman by way of trans experience, I learned about a whole different level of struggle. But I watched my mom handle it with grace and learned. My mother was instrumental in helping me become the woman that I am today.”

Reid is not sure what her next step will look like after spending the better part of the past decade as her mom’s round-the-clock caretaker and manager. However, by taking in the cadence and rhythm of the stories Reid recounts about her own life, her mother’s life and the people she advocates for, it’s clear that the flame of Betty Reid Soskin still shines brightly.

Celebrate the Life of Betty Reid Soskin, March 1, 2pm, at the Calvin Simmons Theater at Henry J. Kaiser Center for the Arts. hjkarts.org/upcoming-events

Women prioritize health and redefine ‘hustle’

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Millions of people in the United States and around the world find the voice of former ABC News chief medical correspondent Dr. Jennifer Ashton speaking on matters of health to be a sanctuary.

As the co-host of Good Morning America’s “GMA3,” the board-certified ob-gyn and obesity medicine physician discusses thorny topics. Subjects include nutrition and weight management, maternal mortality rates, mental illness and suicide, heart disease, menopause and, during the Covid-19 pandemic, infectious diseases and public health.

Bestselling author Ashton is, as of 2023, the founder/president of Ajenda, a multimedia company focusing on women’s health issues. She will appear in-person as a keynote speaker at the 21st Annual East Bay Women’s Conference. The event takes place March 3 at the Lesher Center for the Arts in downtown Walnut Creek, presented by the Walnut Creek Chamber of Commerce & Visitors Bureau in association with Kaiser Permanente.

Ashton will speak about launching Ajenda and about closing her private practice to concentrate on the company. Performance coach Korey Rowe will join Ashton in conversation to discuss their collaborative project, Ajenda’s The Wellness Experiment.

The conference also offers keynote speakers Vera Jones, an empathy coach, and The Joy Project CEO Amanda Gore, along with an exhibitor marketplace, bookstore, speaker meet-and-greets, author signings and networking opportunities. The Second Annual Women Making a Difference Awards focus on three local women selected to receive the Innovation, Leadership and Empowerment, and Rising Star awards. A continental breakfast, lunch, afternoon wine reception and complimentary parking are included.

In an interview one month prior to the conference, Ashton emphasized that any generalizations she makes about women business owners and entrepreneurs should be “taken with a huge boulder of salt because I’m just a few years into the process.”

Even so, she finds most women entrepreneurs enter the early stages with trepidation, whereas men tend to dive in. She said the preparatory phase has challenging and contradictory time constraints. Adequate time to establish a robust financial platform means slowing down, but delaying a product or service release to the public might result in not being first to market.

Ashton insisted women excel in listening and responding to feedback, crucial first steps for any business. “Women really know their strengths,” she said. “They take feedback and respond to it. They’re also good at prioritizing.”

Most women in her professions—medicine and media—are highly educated and motivated to reach top leadership positions. “They like to be in that environment,” Ashton said. “They say, ‘I’m hungry, ambitious and ready to work hard.’”

Regarding networking, Ashton suggested the advent of digital interaction through social media platforms has not entirely obviated the value of in-person connections. “There’s a benefit to being in the same room, physically,” she said. “[Unfortunately] those social practices and etiquette are 100% taking a hit.”

Ashton enjoys interacting on all levels. She said a “home run” is when with a scarcity of time, her message provides everyone with something of value.

In a time when less than 1% of newsletters worldwide have even 100,000 subscribers, Ashton said her company’s free newsletter already has roughly 200,000 subscribers. “I think it’s a success because I never talk down to anyone,” she said.

Ashton’s last thoughts addressed the importance of men sharing responsibility in women’s health and advancement. While excited about women leaders stepping up and being empowered, she said men remaining silent, especially health practitioners, are “a real head-scratcher.” Areas she expects to continue prioritizing are how nutrition affects women’s reproductive health and improving the understanding of women’s heart disease.

East Bay Women’s Conference, March 3, 8am to 5pm at Lesher Center for the Arts, 1601 Civic Dr., Walnut Creek. walnut-creek.com/ebwc2026

Rich Table chefs expand brand with a California bistro

In February, Zuni Café celebrated its 47th year in San Francisco. While many other restaurants folded, Judy Rodgers and her team figured out how to make meals that would beckon diners back for more. In many ways, Zuni is the city’s equivalent of Chez Panisse. It’s not a coincidence that Rodgers, who passed away in 2013, worked for Alice Waters before she opened her restaurant. 

The first time I ate there, in the early 1990s, I shared a plate of roast chicken with my date. Last year, some 30 years later, I ordered that dish again and it was as good as the first time. Decades of serving consistently delicious dishes is just one of the rewards of a return visit there. Nostalgia for the distant past is another.

Open since 2012, the Rich Table brand is keeping up with Zuni’s staying power. Evan and Sarah Rich’s restaurant is a two-minute walk from Zuni Café. The central location must be a contributing factor, in some small way, to the longevity of both restaurants. They’re easy to get to from any direction.

The Riches, though, have departed from their neighbor in one significant way. They’ve expanded their business with sub-brands: RT Rotisserie and the latest, RT Bistro. The primary focus of the more casual rotisseries is a roast chicken, supplemented by soups, salads and sandwiches. RT Bistro, which opened in January, has a smaller footprint than Rich Table but offers an array of similarly comforting and complex dishes.

RT Bistro’s modus vivendi is printed at the top of the menu: “Go to the market, see what’s good and cook it.” Fresh fruits and vegetables, whether unadulterated or made with careful manipulations, appear in every dish. A starter loaf of bread is subtly altered for the better with the addition of wild fennel. An endive “Caesar” salad—no anchovies in the dressing—includes crisp sweet slices of Shinko pears. And a dark green and delectable kale and apple curry moat surrounds a hunk of roasted cauliflower.

When I spoke with the Riches, Evan told me that Zuni has been an ongoing source of inspiration for them. They never saw it as the competition. “Before Judy Rodgers passed away, she came in and ate at Rich Table,” he recalled. “You’re sitting there starstruck. We want to be an institution like them, and we want to do what they’ve done for San Francisco as well.”

CASUAL NEIGHBOR Evan and Sarah Rich’s latest restaurant is an intimate 37-seat bistro next door to their longtime Michelin-recognized Rich Table in Hayes Valley. (Photo by Robbie Gomez Photography)

Sarah said they’ve been going to farmers’ markets since they moved to the Bay Area in 2008. “I know all the farmers and what they grow, and I’m still in awe of just how much variety there is. If you take yourself seriously as a chef, you should be going to the markets and using those amazing products.”

In addition to California’s bountiful harvests, the chefs’ dishes and techniques are informed, in part, by their backgrounds in and around French cuisine. Sarah studied at the French Culinary Institute when Jacques Pépin was still a dean there. Evan worked for David Bouley, who trained in France.

“We definitely did not want to do a French bistro, but we love that atmosphere,” Evan said. “One of the first things we do whenever we go to New York is to eat at Balthazar.” He described the food there as “not overthought, simple and delicious.” But the two had no plans to make steak tartare or escargot at RT Bistro. “We say it’s a California bistro to give you an idea of the vibe you’re going to get.”

The couple has worked together for about two decades. At this point, they’ve figured out how to communicate with each other. “We know each other’s strengths and weaknesses,” Sarah said. “We’re on the same team and have each other’s backs.” On an operational level, both of them share management duties, but they fit in wherever they’re needed.

Evan is more involved with the savory menu. Sarah makes the desserts. Both of the ones we tried were unapologetically decadent. Topped with a crunchy cocoa nib crumble and vanilla ice cream, the kitchen warmed up the chocolate cake before it was served. And an ice box pie—more of a parfait—is stacked in a glass with layers of a Meyer lemon curd, a graham cracker crumble and chantilly cream.

“We talk about work all the time because it’s very important to us and because we love it,” Sarah said. “We have our kids, but we also have four other kids that are our restaurants.”

RT Bistro, open daily from 5-10pm, 205 Oak St., San Francisco. richtablesf.com/location/rt-bistro

Free Will Astrology: Week of Feb. 25

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ARIES (March 21-April 19): In woodworking, “spalting” occurs when fungi colonize wood, creating dark lines and patterns that make the wood more valuable, not less. The decay creates beauty as long as it isn’t allowed to progress too far. Here’s the metaphorical moral of the story for you, Aries: What feels like a deteriorating situation might actually be spalting. Are you experiencing the breakdown of a routine, a certainty or a plan? It could be creating a pattern that makes your story even more interesting and heroic. So keep in mind that an apparent decomposition may be transforming ordinary into extraordinary beauty. My advice is to play along with the spalting.

TAURUS (April 20-May 20): I suspect you will soon be invited to explore novel feelings and unfamiliar states of awareness. As you wander in the psychological frontiers, you might experience mysterious phenomena like the following: 1. An overflow of reverence and awe. 2. Blissful surprise in the face of the sublime. 3. Sudden glimmers of eternity in fleeting moments. 4. A soft, golden resonance that arises when you hear arousing truths. 5. Amazingly useful questions that could tantalize and feed your imagination for months and even years to come.

GEMINI (May 21-June 20): If I were your mentor, I’d lead you up an ascending trail to a high peak where your vision is clear and vast. If I were your leader, I’d give you a medal for all the ways you’ve been brave when no one was looking, then send you on an all-expenses-paid sabbatical to a beautiful sanctuary to rest and remember yourself. If I were your therapist, I’d guide you through a 90-minute meditation on your entire life story up until now. But since I’m just your companion for this brief oracle, I will instead advise you to slip out of any silken snares of comfort that dull your spirit, cast off perks and privileges that keep you small, and commune with influences that remind you of how deeply you treasure being alive.

CANCER (June 21-July 22): Biologist Barbara McClintock won the Nobel Prize by developing what she called “a feeling for the organism.” She cultivated an intimate, almost empathic relationship with the corn plants she studied. She didn’t impose theories on her subjects. She listened to them until she could sense their hidden patterns from the inside. When you’re not lost in self-protection, you Cancerians excel at this quality of attention. Here’s what I see as your task in the coming weeks: Transfer your empathic genius away from people who drain you and toward projects, places or problems that deserve your devotion and give you blessings in return.

LEO (July 23-Aug. 22): Sufi writers describe heartbreak, grief and longing as portals through which divine love enters. They say that a highly defended ego and a hardened heart can’t engage with such profound and potent love. In this view, suffering that makes the heart ache strips away illusions and fixations, allowing greater receptivity, humility and tenderness toward all beings.​ I’m not expecting you to get blasted by an influx of poignancy in the near future, Leo, but I’m very sure you have experienced such blasts in the past. And now is an excellent time to process those old breakthroughs disguised as breakdowns. You are likely to finally be able to harvest the full power they offered you.

VIRGO (Aug. 23-Sept. 22): In traditional Balinese culture, Tri Hita Karana is a concept that means there are three causes of well-being: harmony with God, harmony with people and harmony with nature. When one is out of balance, all suffer. I’m wondering if you would benefit from meditating on this theme now, Virgo. Have you been focused on one dimension at the expense of the others? Are you, perhaps, spiritually nourished but socially isolated? Or maybe you’re maintaining relationships but ignoring your body’s connection to the earth? Here’s your assignment: Do a Tri Hita Karana audit. Which harmony is most neglected? Add to your altar, call a friend or go walk in the great outdoors—whichever one you’ve been shortchanging.

LIBRA (Sept. 23-Oct. 22): You are a diplomat in the struggle between beauty and inelegance. Your aptitude for creating harmony is a great asset that others might underestimate or miss completely. I hope you will always trust your hunger for classiness even if others dismiss it as superficial. One of your key reasons for being here on earth is to keep insisting on loveliness in a world too quick to settle for ugliness. These qualities of yours are especially needed right now. Please be gracefully insistent on expressing them wherever you go.

SCORPIO (Oct. 23-Nov. 21): The bad news: You underestimate how much joy and pleasure you deserve—and how much you’re capable of experiencing. This artificially low expectation has sometimes cheated you out of your rightful share of bliss and fulfillment. The good news: Life is now ready to conspire with you to raise your happiness levels. I hope you will cooperate eagerly. The more intensely you insist on feeling good, the more cosmic assistance you will garner. Here’s a smart way to launch this holy campaign: Renounce a certain lackluster thrill that diverts you from more lavish excitements.

SAGITTARIUS (Nov. 22-Dec. 21): In classical music, a “rest” isn’t the absence of music. It’s a specific notation that creates space, tension and meaning. The silence is as much a part of the composition as the sound. I suggest you think of your current pause this way, Sagittarius. You’re not waiting for your real life to resume. You’re in a rest, and the rest is an essential part of the process you’re following. It’s creating the conditions for what comes next. So instead of anxiously filling every moment with productivity or distraction, try honoring the pause. Be deliberately quiet. Let the silence accumulate. When the next movement begins, you’ll understand exactly why the rest was necessary.

CAPRICORN (Dec. 22-Jan. 19): Interesting temptations are wandering into your orbit. You may be surprised to find yourself drawn toward entertaining gambles and tricky adventures. How should you respond? Should you say “Yes! Now! I’m ready!”? Or is open-minded caution a wiser approach? Conditions are too slippery for me to arrive at definitive conclusions. What I can tell you is this: Merely considering and ruminating on these invitations will awaken uplifting and inspiring lessons. PS: To get the fullness of the blessings you want from other people, you must first give them to yourself.

AQUARIUS (Jan. 20-Feb. 18): The engineer Nikola Tesla (1856–1943) said he envisioned his inventions in intricate detail before building them. He didn’t need literal prototypes because his mental pictures were so vivid. I suspect you Aquarians now have extra access to this power. What scenarios are you dreaming of? What are you incubating in your imagination? I urge you to boldly trust your thought experiments. Your mental prototypes may be unusually accurate. The visions you’re testing internally are reconnaissance missions to futures that you have the power to build. Regard your imagination as a laboratory.

PISCES (Feb. 19-March 20): Sufi mystics tell us that the heart has “seven levels of depth,” each one bearing progressively more profound wisdom. You access these depths by feeling deeper, not thinking harder. Let’s apply this perspective to you, Pisces. Right now, you’re being called to descend past surface emotions (irritation, worry, mild contentment) into the layers beneath: primal wonder, the wild joy you’re sometimes too cautious to express and the sacred longing that can lead you to glory. This dive might feel risky. That’s good! It means you’re going deep enough. What you discover down there will reorganize everything above it for the better.

Homework: What’s the most taboo thing you want? Can you make it any less taboo? Newsletter.FreeWillAstrology.com

Social Eyes: Week of March 5-11

Social Eyes: Week of March 5-11
Featuring The Last Gang, The Myula, The White Buffalo, Ordinary Elephant, Julia Keefe Indigenous Big Band, Charlie Chaplin's 'The Kid,' 'Pass the Nails & Shame the Devil,' The Bad Plus, East Forest, and Dodie.

Anahuac rises on Solano Avenue

Anahuac rises on Solano Avenue
This year’s State of the Union address suggested, among many things, that the American Dream belongs exclusively to technocrats and their cronies. Jose Rodriguez has another story to tell. For his family, the American Dream is alive and well on Solano Avenue. In the late 2000s his mother, Maricela Pedroza, moved to the Bay Area to start a new life...

Free Will Astrology: Week of March 4

Free Will Astrology: Week of March 18
Welcome to Pisces season!

Emotional Oasis: Oliver Laxe’s ‘Sirat’ opens in Bay Area

There are films that entertain, films that distract and films that politely flatter one’s intelligence. And then there are films that seem to look one in the eye and ask whether they’re prepared to lose something. Sirat, the new feature from Galician-born director Oliver Laxe, belongs squarely in the latter category. “A father, accompanied by his son, goes looking for his...

Oakland artist reclaims queer youth in rage, yarn and memory

Oakland artist reclaims queer youth in rage, yarn and memory
One of textile artist dani lopez’s bios tells part of her story: “After spending most of her life living in Oregon and trying to get out, she now lives in Oakland.”  “Out,” in this case, means both “out of the repressive atmosphere of the place she was living,” and “out as a queer woman.” Her exhibition of tapestries and other pieces...

Social Eyes: Week of Feb. 26-March 3

Social Eyes: Week of Feb. 26-March 3
This week's calendar picks feature Jack West, Pinback, A Tribute to John Mayer’s 'Continuum,' Clipping, Yaa Samar! Dance Theatre, 'Happy Heavenly Birthday, Oscar,' Larry The Cable Guy Backshots, Chico DeBarge, Amy Oppenheimer's 'Looking for Justice,' and Goldings-Bernstein-Stewart Trio.

Betty’s legacy lives on 

Betty's legacy lives on
Betty Reid Soskin was many things to many people during her 104 years on the planet.  She married twice, mothered four children, owned the first Black record store in Berkeley, wrote and sang freedom fighter songs, started a career at the Rosie the Riveter Homefront Shipyard Museum in Richmond that led to her being the oldest park ranger in the...

Women prioritize health and redefine ‘hustle’

Women prioritize health and redefine ‘hustle’
Millions of people in the United States and around the world find the voice of former ABC News chief medical correspondent Dr. Jennifer Ashton speaking on matters of health to be a sanctuary. As the co-host of Good Morning America’s “GMA3,” the board-certified ob-gyn and obesity medicine physician discusses thorny topics. Subjects include nutrition and weight management, maternal mortality rates,...

Rich Table chefs expand brand with a California bistro

Rich Table chefs expand brand with a California bistro
In February, Zuni Café celebrated its 47th year in San Francisco. While many other restaurants folded, Judy Rodgers and her team figured out how to make meals that would beckon diners back for more. In many ways, Zuni is the city’s equivalent of Chez Panisse. It’s not a coincidence that Rodgers, who passed away in 2013, worked for Alice...

Free Will Astrology: Week of Feb. 25

Free Will Astrology: Week of March 18
Welcome to Pisces season!
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