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French film noir gems sparkle in Berkeley
A few highlights from “French Noir: From the Shadows into the Light,” a rewarding ongoing retrospective series that runs through Aug. 28 at the...
The Old Furiosity Shop: ‘The Furious,’ reviewed
In the first five minutes of the new Hong Kong/China action pic The Furious, we’re reminded of one of the time-tested truths of the...
She asks questions
Amy Goodman travels to places many of us are afraid to venture. She walked the chemical-dust-clouded streets of Lower Manhattan during the 9/11 World...
World Destroyer
Christopher Nolan's Oppenheimer is some degree of masterpiece
The story of J. Robert Oppenheimer is a fine excuse to study the workings of power in the U.S....
Toxic Blooms
And fun at the ball game: A double header of Master Gardener and It Ain’t Over
Paul Schrader is one of the most important filmmakers...
Schlock-a-palooza
‘Babylon’ discovers new depths in obnoxious filmmaking
Slowly, steadily, almost imperceptibly, standards for commercial motion picture entertainment—particularly in screenwriting—have been slipping, right before everyone’s eyes....
On with the Show: The SFFILM Festival is back, more diverse and unpredictable than...
After the pandemic descended on us two years ago, we did without a number of public events that had meaning for us in the...
Feel Good, Damn It: Go ahead, it’s all right to reassure yourself with ‘The...
Feel-good movies need to have at least one moment, or one character, that genuinely brightens up the experience of watching them, so that we...











