Kelly Vance reviews Oskar Roehler’s dramatized tribute to the late filmmaker Rainer Werner Fassbinder, 'Enfant Terrible' with a caveat. "Potential audiences are warned that 'Enfant Terrible' is pretty much for Fassbinder fans only, he writes. "He’s an acquired taste, and it’s plain that he doesn’t really care whether viewers 'get' his films at first glance.".
Kelly Vance reviews Luke Holland's 'Final Account', a movie about the stunning inhumanity of Hitler Youth members even decades later, and how many of them escaped retribution in spite of their known crimes. "Holland’s earnest attempt at reckoning predictably falls short in the 'justice at last' category," says Vance.
Kelly Vance reviews a movie about the Bay Area's innovative arts scene, 'Tell Them We Were Here', and sits down the Renee De Guzman, Senior Curator at Oakland Museum of California to hash out if Sadie Barnette's work could be considered Afrofuturism, "for want of a better term.".
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